Normally, flights of fancy in legitimate theater are a dangerous prospect. They can get too confusing or absurd for an audience to follow, and unless you tread carefully, your writing can end up seeming lazy. When you set the ground rules that Terrence McNally sets in A Perfect Ganesh, however, your opportunities for being fanciful are virtually limitless.

The overwhelming theme of A Perfect Ganesh is pantheism; the play emphasizes the interconnectedness of humans to each other and to the rest of the world, and how blind Westerners can often be to the lives and environments of even those closest to them. When, in the opening monologue, we meet Ganesha (Gary Mahmoud), the Hindu god who is “in your kiss” as well as “in your cancer,” we allow ourselves to see a whole, free-flowing unity in everything that happens in the next two hours. To criticize inconsistency in A Perfect Ganesh would just be bad karma.

To contrast Ganesha’s world to our own, McNally gives us perhaps the pinnacle (some would say lowpoint) of the Western sensibility—two wealthy ladies from Greenwich, Connecticut. Kitty and Margaret think India offers a respite from a lifetime of trips to the Caribbean. Soon, however, we learn of larger spiritual longings that plague these two. They have come to India to heal, both for emotional and physical purposes. Both have suffered tragedies that have caused irrevocable damage to their souls, and both get lost in their attempts to recover the good spirits that the women are too damaged to find again.

A Perfect Ganesh, which deals with homophobia quite prominently, was a Pulitzer finalist in 1994. It lost to Albee’s Three Tall Women, perhaps a safe pick after another gay-themed play, Angels in America, had won the Pulitzer the previous year. McNally would go on to win back-to-back Tonys for Love! Valour! Compassion! and Master Class. As a result, A Perfect Ganesh has slipped through the cracks.

As the WorkShop Theater Company’s revival proves, however, not only is Ganesh one of McNally’s best plays (it may even be his best), but it’s one whose relevance has only grown stronger. In an era where America has become increasingly isolated from the rest of the world, where sections of America have grown hostile to other sections, and where spirituality has been squeezed out by technical and socioeconomic demands, A Perfect Ganesh is a crucial reminder of just how close to each other we really are, yet how distant we can often seem.